CV

CV
Personal
Name: Lauren Stephanie Williams
DOB: 29/1/1993
Address: 88 Dulais Road, Seven Sisters, Neath, SA10 9ES
Contact: 07854577167
Web Address: http://www.laurenstephanie.com
Education
Cardiff Metropolitan University – Artist: Designer Maker – 2012-2015
Swansea Metropolitan University – Foundation Degree – 2011-2012
Neath Port-Talbot College – 2009-2011
Llangatwg Comprehensive School – 2004-2009
Exhibitions
Cardiff metropolitan university degree show 2015
Swansea metropolitan university foundation show 2013
Skills
Textiles, Sewing, Upholstery, Fabric Manipulation, Pattern Design, Furniture
Refurbishing, Up-cycling, Pewter Casting, Ceramic Mould Making, Slip Casting, Glass
Work, Paper Folding, Photoshop and People Skills.
Bio
Currently my work is centered on paper manipulation and inspiration comes from
naturally occurring structures, primarily shells. I was interested in taking lines and
shapes from nature into a different situation, the domestic interior.
I enjoy using natural and simple forms to create new and interesting patterns for
up-cycled objects. I hope to develop my concepts and collection to make
alternative series for the interior market.


Proffesional Practice Opputunties

http://www.makersguildinwales.org.uk/front-page-news/item/volunteering

http://www.prospects.ac.uk/interior_and_spatial_designer_entry_requirements.htm
http://www.prospects.ac.uk/community_arts_worker_entry_requirements.htm
http://www.prospects.ac.uk/community_arts_worker_job_description.htm
http://www.craftscouncil.org.uk/opportunities/call-for-applications-craft
http://www.indeed.co.uk/viewjob?cmp=Washington-Green-%2F-Castle-Galleries&t=Sales+Consultant&jk=c0d437b2b6c0145f
http://www.fabricpattern.net/award.php?details=The-A%27-Fabric-Pattern-Design-Competition

evaluative statement

Throughout this past year I feel I have really found my place in the field of art and design. At the beginning of the year I tried to stay away from up-cycling as I felt it is currently a very popular field where everything you think of has already been done. So I decided to go back to something I know well, which was fabric. I also wanted to have a great source of inspiration which would keep me engaged for an extended period of time, and for me that was shells. I have always had a fascination with shells and enjoyed studying their shapes, textures and colours, so this seemed like a good idea. I started by looking at the characteristics of shells and I developed an interest with the lines that the have. I wanted to take these shapes into paper and fabric, which i struggled with at first as I couldn’t get the perfect effect that I wanted. After persevering I achieved the effect I wanted and developed a range of neck-piece designs. Over the Christmas period I started doubting what I was doing with my work, it didn’t feel quite right so I decided to change my direction and go bag to the paper elements, after making scans of my paper folds I decided that I could create a variety of patterns from these which could them be applied to a multitude of things. This is where I was able to bring up-cycling back into my work and use furniture to apply my pattern designs to, which I feel has worked well. I hope to develop my concepts and collection to make alternative series for the interior market in the future.


Artist statement

My name is Lauren Williams and I am a currently a graduating of Cardiff metropolitan university studying Artist: designer, maker Course, where I have been studying for the past three years. My background is in the media of textiles, which I was intending to peruse until I discovered three dimensional design during my foundation diploma in art and design at Swansea university. I have always enjoyed making things and up cycling objects, giving them a new life.

Since studying at university I have developed a keen interest in paper manipulation and creating unique patterns which I can then apply to the up cycling of furniture. I feel I have developed a broad spectrum of skill over the past three years, and I am still eager to learn more. I am still passionate about the use of textiles within my work and I enjoy using these skills within my practice.

Currently my work is centered on paper manipulation and inspiration comes from naturally occurring structures, primarily shells. I was interested in taking lines and shapes from nature into a different situation, the domestic interior. My starting point were paper folds, which I developed into other media where they take on a new role. These surface designs have been used to create soft furnishings, and are employed on upholstered old furniture.

I enjoy using natural and simple forms to create new and interesting patterns for up-cycled objects. I hope to develop my concepts and collection to make alternative series for the interior market.


Kelly Wearstler

Kelly Wearstler is an American designer. More information on her website linked below.

http://www.kellywearstler.com/


Razzle Dazzle

Dazzle camouflage, also known as razzle dazzle or dazzle painting, was a family of ship camouflage used extensively in World War I and to a lesser extent in World War II and afterwards. Credited to artist Norman Wilkinson, though with a prior claim by the zoologist John Graham Kerr, it consisted of complex patterns of geometric shapes in contrasting colours, interrupting and intersecting each other.

Unlike some other forms of camouflage, dazzle works not by offering concealment but by making it difficult to estimate a target’s range, speed and heading. Norman Wilkinson explained in 1919 that dazzle was intended more to mislead the enemy as to the correct position to take up than actually to miss his shot when firing.

Dazzle was adopted by the British Admiralty and the U.S. Navy with little evaluation. Each ship’s dazzle pattern was unique to avoid making classes of ships instantly recognisable to the enemy. The result was that a profusion of dazzle schemes were tried, and the evidence for their success was at best mixed. So many factors were involved that it was impossible to determine which were important, and whether any of the colour schemes were effective.

Dazzle attracted the notice of artists, with Picasso notably claiming cubists had invented it. The vorticist artist Edward Wadsworth, who supervised the camouflaging of over 2,000 ships during the First World War, painted a series of canvases of dazzle ships after the war, based on his wartime work.


William Morris

William morris’s work has been some of my favourite for many years, and now I am working with pattern I have come back to his work to use as inspiration.

More of william morris’s work on the link below.

https://www.william-morris.co.uk/


Levi Fignar

Having co-founded next-level brand/design agency Next Ship, his career has now taken off in the more creative direction he has so longed for. His collaborations with KAZA Concrete have resulted in a world premiere, concrete mosaic installation at 100% Design and Cruck, debuting at Tent London.

Find out more on the link below

http://www.kazaconcrete.com/collection/designers/levente-fignar.html


Llan Gabribi

Five years ago, Garibi decided to become a professional origami artist. His main field was tessellations, perfectly suitable to design lamps, as he did with Aqua Creations .Using this new knowledge he started to design products such as vases, jewellery, tables as well as works of art. These works are presented in Talents Design Gallery inTel-Aviv.

Look at his work on this link below

http://www.kazaconcrete.com/collection/designers/ilan-garibi.html


Elijah Porter – Rough Front

Rough Front is a design studio that proposes new ideas for architectural space, ornamentation, surface design, and detail.

More information on the link below

http://www.kazaconcrete.com/collection/designers/rough-front.html